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by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
Let the words be yours, I’m done with mine.
I don’t believe in aging. But before you misidentify me as a wingnut, “chronology change denier,” allow me to define the term “aging.” Within the context of aging as a biological fact, there is no “belief” involved. We all age and eventually die. That is an undeniable fact. However, there is more to “aging” than that. So, let’s drill down a little deeper, shall we?
This Week in Grateful Dead History: Week 17 - April 23, 1977
Without love in the dream
Ask any Deadhead what period represents the apex of the band’s touring career and the Spring, 1977 tour will inevitably be cited. Much like references to the “seventh member” of the six-piece band being present during a particularly outstanding show, there was a seventh member quality to the magic of the 30 shows the Grateful Dead played in the spring of 1977.
This Week in Grateful Dead History: Week 45 – November 7, 1987
Maybe you’ll find direction
Flying surprisingly under the radar, the Grateful Dead released a wonderful video in ’87, called So Far. In addition to the exceptional sound quality, what is so unique about this film is the way in which realtime onstage recordings, sans audience, are interwoven with actual concert footage, in seamless transitions that are goosebump inducing at the pivotal moments. Given that the Dead’s identity was far more connected to the live concert experience than the traditional studio recording model, it is fitting that the band employed this technique of simulating a live experience, while maintaining the kind of quality control that is possible only in a studio setting.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo