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by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
All I Know
The year was 1970, my junior year of high school at Loara High School in Anaheim, California. It was the day of the All Western Band Review, the biggest, most significant high school marching band competition in the state. We had been working towards this moment for months, since the summer when band practice began a full three weeks before the first day of school.
This Week in Grateful Dead History: Week 16 - April 12, 1978
Is there anything a man don’t stand to lose
I was first exposed to bigotry at the age of five when my family unwittingly became the only Jewish residents of what proved to be a passionately anti-Semitic neighborhood in St. Louis Park, Minnesota, a suburb of Minneapolis. The year was 1960, and the hateful echoes of the Holocaust were still plainly audible, particularly among the already settled Scandinavian and Protestant Anglo-Saxon population, which made no effort to conceal their displeasure at the significant influx of Jewish families to the Twin Cities.
This Week in Grateful Dead History: Week 6 - February 5, 1989
I will take you home
I became a Deadhead in 1973, during the Keith and Donna era, and was deeply saddened when they left the band in 1979. Keith Godchaux was a phenomenally talented pianist, and to this day I love listening to his mostly understated playing on so many wonderful ’70s recordings. My first show with “the new guy” on keyboards was 10/19/80 at San Francisco’s Warfield Theater, and I was immediately impressed with the skill Brent Mydland displayed on keyboards, but even more so with his vocal contributions. While I understand, but never shared, the widespread antipathy felt by many Deadheads toward Donna Jean Godchaux, Brent’s arrival served to transform the Grateful Dead from a band that was often barely tolerable vocally to one that could really sing.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo