Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

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Other Posts

This Week in Grateful Dead History: Week 34 - August 21, 1983Ain’t nobody messing with you but you.

This Week in Grateful Dead History: Week 34 - August 21, 1983

Ain’t nobody messing with you but you.

When I began my studies at the University of California at Santa Cruz in ’75, the countercultural vibe of the ’60s was still alive and well. Having spent my junior high and high school years in Southern California, my primary exposure to the Grateful Dead was the well-known reference in the Cowsills’ 1969 song, Hair (“It’s not for lack of bread, like the Grateful Dead”). But once I arrived on the Central California coast (Santa Cruz is just 75 miles south of San Francisco) the Grateful Dead could be heard seeping out of the cracks of dorm rooms all over campus, and providing the ambiance for every cafe in town.

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This Week in Grateful Dead History: Week 52 – December 27, 1987The kids they dance and shake their bones

This Week in Grateful Dead History: Week 52 – December 27, 1987

The kids they dance and shake their bones

The enduring and ever-increasing popularity of the Grateful Dead – even more than a quarter century after their last concert on July 9, 1995 – has often been attributed to the prominent role the band played in the anti-establishment movement of the ’60s. As the icon of a new generation that represented an alternative to the greed and corruption of the mainstream culture, the Dead truly were “a band beyond description.”

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All I Know

All I Know

The year was 1970, my junior year of high school at Loara High School in Anaheim, California. It was the day of the All Western Band Review, the biggest, most significant high school marching band competition in the state. We had been working towards this moment for months, since the summer when band practice began a full three weeks before the first day of school.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo