Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 51 – December 15, 1986
We will survive
The irony is inescapable. The very song that became nothing less than an anthem for the entire Grateful Dead community also represented the beginning of the end for the band. Touch of Grey reached #9 on the Billboard “Hot 100” chart in September, 1987, the only time the Dead cracked the top 10 in the entire history of the band. A distant second, Truckin’ reached #64 in December, 1971, and only 4 other songs ever ranked in the top 100.
This Week in Grateful Dead History: Week 3 – January 17, 1979
And the seeds that were silent
The Grateful Dead rarely toured during January, and understandably so. After their traditional year-end multiple night stands, the band was more inclined to grab some well-deserved “R & R” than to hit the road during the first few weeks of the year. One notable exception took place in ’79, when the Dead played nineteen shows throughout the East Coast and Midwest before returning home to punctuate the tour at the good old Oakland Coliseum. Along the way was an appearance with a unique story at Veterans Memorial Coliseum in New Haven CT, on 1/17/79, my choice for T.W.I.G.D.H. (This Week In Grateful Dead History).
This Week in Grateful Dead History: Week 14 - March 28, 1981
Left-hand monkey wrench
For musicologist Michael Steven Hartman, music is a direct reflection of the rhythms of the universe and the lifeforms that inhabit it. While his interests in polyrhythmic and exotic percussion are plainly evident during the Drums and Space portion of any Dead concert, many Deadheads are unaware of the lifelong dedication Hartman, A.K.A. Grateful Dead drummer Mickey Hart, has shown in exploring the cosmic common thread that music, and particularly drumming, represents in human consciousness.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo