Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
This Week in Grateful Dead History: Week 1 – December 31, 1978
The storyteller makes no choice
The Grateful Dead were famous for their New Year’s shows, and played twenty-one times at the stroke of midnight on December 31, at six different venues, all in the Bay Area. Six of those shows took place at the Winterland Ballroom, an erstwhile ice skating rink which became a storied rock music venue with a capacity of some 5000. Sadly, Winterland was shuttered in 1979, but not until one final concert had taken place. For reasons ranging from its eight-hour length, to the line-up that included the Blues Brothers and the New Riders of the Purple Sage, to the almost-six-hour DVD – The Closing of Winterland – that was made to commemorate the event, this was easily the most famous of the Dead’s New Year’s shows, and the Deadhead Cyclist’s choice for T.W.I.G.D.H., as well as the best New Year’s Eve show of all time.
This Week in Grateful Dead History: Week 38 – September 20, 1982
If the spirit’s sleeping then the flesh is ink
Despite being a West Coast band, the Dead had a special relationship with New York City, and played Madison Square Garden a total of 52 times from ’79-’94. As drummer Bill Kreutzmann remarked in 2015 as the band was inducted into the Madison Square Garden Walk of Fame, “Out of about 2300 shows that the Grateful Dead played, the 52 we played here were nothing short of amazing.” T.W.I.G.D.H. features one of those amazing shows, 9/20/82, and a tune that was performed live on that date for only the third time, Throwing Stones.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo