Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
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This Week in Grateful Dead History: Week 49 – December 5, 1981
I know this song, it ain’t never gonna end.
The Grateful Dead took perhaps their biggest step towards immortality when they were inducted into the Rock & Roll Hall of Fame, in 1994. But if there was a distinction for Most Unlikely Success Stories among the now-338 groups and performers that have been similarly recognized as of 2020, our beloved band of misfits would easily win, place or show. From their humble origins as a jug band (Mother McCree’s Uptown Jug Champions), to their pivot to a rock band, called The Warlocks, to their first show as the Grateful Dead on 12/4/65 in San Jose, CA at one of Ken Kesey’s “Acid Tests,” this was a band whose initial aspirations were more oriented towards survival than fame and fortune.
There’s nothing you can hold for very long
Although there is some ambiguity as to the exact number of concerts the Grateful Dead played over the course of their 30-year history, it is well accepted that the figure is north of 2300. Of those, less than one-percent took place at the stroke of midnight on December 31 (22 to be precise). Statistics aside, the band’s New Year’s shows were nothing less than the stuff of legend.
This Week in Grateful Dead History: Week 40 – September 28, 1975
Sometimes the cards ain’t worth a dime
Among the numerous motifs found in the lyrics of Grateful Dead tunes, there is none more omnipresent than the metaphoric theme of gambling. References to games of chance – particularly card games – are sprinkled liberally throughout a seemingly endless list of tunes: Loser (“If I had a gun for every ace I have drawn…”), Deal (“Watch each card you play and play it slow…”), Candyman (“Come on boys and gamble; roll those laughing bones…”), Me and My Uncle (“You know my uncle; he starts a friendly game…”), Dire Wolf (“The wolf came in, I got my cards, we sat down for a game…”), and Scarlet Begonias (“In the heat of the evening when the dealing got rough; she was too pat to open and too cool to bluff…”) are examples that come immediately to mind. And there are also similar references In China Cat Sunflower, Doin’ That Rag, Mississippi Half Step, Ramble On Rose, Stagger Lee, Stella Blue, and Tennessee Jed.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo