Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”

Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

Read More

Other Posts

All I Know

All I Know

The year was 1970, my junior year of high school at Loara High School in Anaheim, California. It was the day of the All Western Band Review, the biggest, most significant high school marching band competition in the state. We had been working towards this moment for months, since the summer when band practice began a full three weeks before the first day of school.

read more
This Week in Grateful Dead History: Week 40 – September 28, 1975Sometimes the cards ain’t worth a dime

This Week in Grateful Dead History: Week 40 – September 28, 1975

Sometimes the cards ain’t worth a dime

Among the numerous motifs found in the lyrics of Grateful Dead tunes, there is none more omnipresent than the metaphoric theme of gambling. References to games of chance – particularly card games – are sprinkled liberally throughout a seemingly endless list of tunes: Loser (“If I had a gun for every ace I have drawn…”), Deal (“Watch each card you play and play it slow…”), Candyman (“Come on boys and gamble; roll those laughing bones…”), Me and My Uncle (“You know my uncle; he starts a friendly game…”), Dire Wolf (“The wolf came in, I got my cards, we sat down for a game…”), and Scarlet Begonias (“In the heat of the evening when the dealing got rough; she was too pat to open and too cool to bluff…”) are examples that come immediately to mind. And there are also similar references In China Cat Sunflower, Doin’ That Rag, Mississippi Half Step, Ramble On Rose, Stagger Lee, Stella Blue, and Tennessee Jed.

read more
This Week in Grateful Dead History: Week 21 - May 22, 1977My time coming

This Week in Grateful Dead History: Week 21 - May 22, 1977

My time coming

During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.

read more
Subscribe and stay in touch.

Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo