Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 47 – November 22, 1985
Going to leave this brokedown palace
The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.
This Week in Grateful Dead History: Week 46 – November 11, 1973
How does the song go?
One of the most unique aspects of the Grateful Dead experience is the existence and ready availability of thousands upon thousands of recordings of concerts, studio sessions and other archival material. The band’s willingness – whether intentional or accidental – to allow their fans to freely record and share what virtually any other band would protect as copyrighted music, was either the luckiest or the most brilliant marketing strategy in the history of modern music. What the Dead may have lost in revenue from the sale of live concert material was easily eclipsed by the increase in ticket sales resulting from turning their devotees into promotional agents, replete with product samples that were self-produced and widely disseminated.
This Week in Grateful Dead History: Week 26 - June 26, 1974
Don’t lend your hand
As spring turns to summer, we bid a fond “fare thee well” to Spring ’77 and find several wonderful summer tours to continue our concert trip around the sun. It’s hard to go wrong with the Summer ’74 run of 18 shows, beginning on June 8 at the Oakland Coliseum and finishing on August 6 at Roosevelt Stadium in Jersey City, NJ. Among the many first-rate concerts of this tour, the June 26 show at Providence Civic Center in Providence, RI gets the Deadhead Cyclist’s vote for T.W.I.G.D.H.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo