Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 15 - April 5, 1971
Goin’ down the road
Deadheads invariably have a great story about the moment they knew they were a Deadhead. For most, it was the first time they saw the band live, but for me the magic moment arrived a full four months before my first show. It was the Summer of ’74, and I had returned home from my sophomore year at UCLA, ready to spend the summer working at a day camp, saving money, and partying with my high school friends who had scattered to various colleges in a virtual teenage diaspora.
This Week in Grateful Dead History: Week 20 - May 11, 1977
If ever I return
With all of the attention given to the Boston/Ithaca/Buffalo trilogy of shows, it’s easy to overlook some of the other gems of the Spring ’77 tour. During the week of May 11, Deadheads were treated to 5 wonderful shows by “Uncle John’s Band,” playing by the riversides (or lake, as the case may be) in the Midwest cities of St. Paul, Chicago and St. Louis, before heading south to Tuscaloosa, Alabama. While every show this week was first-rate, the May 11 show in St. Paul shines above the rest in T.W.I.G.D.H. (This Week In Grateful Dead History).
This Week in Grateful Dead History: Week 21 - May 22, 1977
My time coming
During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo