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by Stew Sallo, author of “The Deadhead Cyclist.”

Life lessons on two wheels to the tunes of the

Grateful Dead

Robert Hall Weir, né Parber,

October 16, 1947 – January 10, 2026

Let the words be yours, I’m done with mine.

 

 

I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.

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Other Posts

This Week in Grateful Dead History: Week 46 – November 11, 1973How does the song go?

This Week in Grateful Dead History: Week 46 – November 11, 1973

How does the song go?

One of the most unique aspects of the Grateful Dead experience is the existence and ready availability of thousands upon thousands of recordings of concerts, studio sessions and other archival material. The band’s willingness – whether intentional or accidental – to allow their fans to freely record and share what virtually any other band would protect as copyrighted music, was either the luckiest or the most brilliant marketing strategy in the history of modern music. What the Dead may have lost in revenue from the sale of live concert material was easily eclipsed by the increase in ticket sales resulting from turning their devotees into promotional agents, replete with product samples that were self-produced and widely disseminated.

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There’s nothing you can hold for very long

There’s nothing you can hold for very long

Although there is some ambiguity as to the exact number of concerts the Grateful Dead played over the course of their 30-year history, it is well accepted that the figure is north of 2300. Of those, less than one-percent took place at the stroke of midnight on December 31 (22 to be precise). Statistics aside, the band’s New Year’s shows were nothing less than the stuff of legend.

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This Week in Grateful Dead History: Week 27 - July 4, 1989Give me five

This Week in Grateful Dead History: Week 27 - July 4, 1989

Give me five

Despite Grand Funk Railroad laying claim to the title in their 1973 album, “We’re an American Band,” there is no more American band than the Grateful Dead. Songs like Cumberland Blues (Lotta poor man got to walk the line/Just to pay his union dues), Truckin’ (Arrows of neon and flashing marquees out on Main Street/Chicago, New York, Detroit and it’s all on the same street), Me and My Uncle (Me and my uncle went riding down/South Colorado, West Texas bound/We stopped over in Santa Fe/That being the point just about half way), and The Music Never Stopped (There’s a band out on the highway/They’re high steppin’ into town/It’s a rainbow full of sound/It’s fireworks, calliopes and clowns) evoke an indisputable sense of Americana.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 33th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. Stew lives in Boulder, CO with his wife of 26 years. He has two daughters and two grandsons.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo