Deadhead Cyclist Archives

Deadhead Cyclist Archives

This Week in Grateful Dead History: Week 16 - April 12, 1978Is there anything a man don’t stand to lose

This Week in Grateful Dead History: Week 16 - April 12, 1978

Is there anything a man don’t stand to lose

I was first exposed to bigotry at the age of five when my family unwittingly became the only Jewish residents of what proved to be a passionately anti-Semitic neighborhood in St. Louis Park, Minnesota, a suburb of Minneapolis. The year was 1960, and the hateful echoes of the Holocaust were still plainly audible, particularly among the already settled Scandinavian and Protestant Anglo-Saxon population, which made no effort to conceal their displeasure at the significant influx of Jewish families to the Twin Cities.

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This Week in Grateful Dead History: Week 18 - May 1, 1977I don’t trust to nothing

This Week in Grateful Dead History: Week 18 - May 1, 1977

I don’t trust to nothing

As we continue our focus on the Spring ’77 tour, we run head-on into five shows at the Palladium in New York City, April 29 – May 4 (with a well-deserved night off on May 2). The 3000-capacity Palladium played a storied role in rock music history during the ’60s, ’70s, ’80s and ’90s, when the property was purchased by New York University and converted into a student residential hall, affectionately referred to as Palladium Hall.

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This Week in Grateful Dead History: Week 19 - May 8, 1977Take a step back

This Week in Grateful Dead History: Week 19 - May 8, 1977

Take a step back

Accepting the premise that Spring ’77 was the apex of the Grateful Dead’s history, which one of the 30 shows the band performed during that period was the climax of the tour? The third week of the tour – which included stops in Boston, Ithaca, Buffalo, St. Paul, and Chicago – may provide the answer, although choosing any one of these shows as the Dead’s best show of all time may be as futile an endeavor as trying to choose the most beautiful national park, the best full-suspension mountain bike, or the greatest athlete ever.

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This Week in Grateful Dead History: Week 20 - May 11, 1977If ever I return

This Week in Grateful Dead History: Week 20 - May 11, 1977

If ever I return

With all of the attention given to the Boston/Ithaca/Buffalo trilogy of shows, it’s easy to overlook some of the other gems of the Spring ’77 tour. During the week of May 11, Deadheads were treated to 5 wonderful shows by “Uncle John’s Band,” playing by the riversides (or lake, as the case may be) in the Midwest cities of St. Paul, Chicago and St. Louis, before heading south to Tuscaloosa, Alabama. While every show this week was first-rate, the May 11 show in St. Paul shines above the rest in T.W.I.G.D.H. (This Week In Grateful Dead History).

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This Week in Grateful Dead History: Week 21 - May 22, 1977My time coming

This Week in Grateful Dead History: Week 21 - May 22, 1977

My time coming

During the ’70s, a member of the Grateful Dead family, Dick Latvala, heard “them voices,” and began collecting recordings of Grateful Dead shows. But unlike the rest of us Deadheads who built private stashes of concert tapes as a hobby, Latvala felt compelled to make a career of it. He maintained a catalogue of his ever-growing collection that went far beyond the set list, including such details as the date and venue, who made the recording, what equipment was used, and extensive personal critiques of the performances.

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This Week in Grateful Dead History: Week 22 - May 26, 1972What’s to be found

This Week in Grateful Dead History: Week 22 - May 26, 1972

What’s to be found

Many have pondered the phenomenon by which a rock ’n’ roll band became a multi-generational movement that has spanned six decades. Even now, almost 25 years after the death of the “leader of the band,” Jerry Garcia, the enigmatic Grateful Dead experience is alive and well in the form of thousands of recordings, countless cover bands – most notably Dead & Company – and iconic images such as the “Truckin’ Fool,” from the Europe ’72 album.

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This Week in Grateful Dead History: Week 23 - June 7, 1977I will not forgive you

This Week in Grateful Dead History: Week 23 - June 7, 1977

I will not forgive you

June 7, 1977 was my sixth Grateful Dead concert. But it wasn’t supposed to be. After touring through the East and Midwest, the band was scheduled to play three shows at their home venue, Winterland Ballroom in San Francisco, June 7, 8 and 9, to finish off their now-famous Spring ’77 tour. My newly fellow Deadhead sister, Janet, and I had already pocketed tickets for the June 9 show, but during the afternoon of June 7, as we were both working in a health food store in Santa Cruz, one thought began to preoccupy my brain: The Dead are playing tonight at Winterland. The Dead are playing…TONIGHT…just 90 minutes from here. After an hour or so, thought morphed into compulsion.

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This Week in Grateful Dead History: Week 24 - June 9, 1977If you plant ice

This Week in Grateful Dead History: Week 24 - June 9, 1977

If you plant ice

Franklin’s Tower was first performed at Winterland on June 17, 1975. As was most often the case – inclusive of the studio version on the 1975 release, Blues for Allah – the tune was the exclamation point on the seminal Help on the Way/Slipknot/Franklin’s Tower medley that leads off and occupies most of Side 1 of that album. Franklin’s Tower was found in the Dead’s setlist six times during the Spring ’77 tour, culminating in arguably their best performance to date, as part of this week’s pick for T.W.I.G.D.H., June 9, 1977, also at Winterland.

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This Week in Grateful Dead History: Week 25 - June 17, 1975We just ride

This Week in Grateful Dead History: Week 25 - June 17, 1975

We just ride

It was a “slam dunk” picking T.W.I.G.D.H. for the week of June 15, since one of the most special nights in the band’s history took place on June 17, 1975 at Winterland. The show was billed as the Bob Fried Memorial Boogie, and it was one of only four times the Dead performed during the year of their interminable hiatus. Bob Fried was an artist who had died of a stroke earlier that same year, but not until he had designed dozens of signature ’60s and ’70s rock posters – most with a decidedly psychedelic spirit.

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