Life lessons on two wheels

to the tunes of the

Grateful Dead

The Deadhead Cyclist Book
Coming May 2023

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Life lessons on two wheels

to the tunes of the

Grateful Dead

This Week in Grateful Dead History

Week 18

I don’t trust to nothing

As we continue our focus on the Spring ’77 tour, we collide head-on with five outstanding shows at the Palladium in New York City, April 29th – May 4th (with a well-deserved night off on May 2). The 3000-capacity Palladium played a storied role in rock music history during the ’60s, ’70s, ’80s and ’90s, when the property was purchased by New York University and converted into a student residential hall, affectionately referred to as Palladium Hall. The catalog of legendary concerts that took place at the Palladium includes the Rolling Stones’ first American tour in 1965 and The Band’s famous series of New Year’s shows, December 28-31, memorialized in the 1972 album, Rock of Ages.

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Upcoming Weeks

This Week in Grateful Dead History: Week 46 – November 11, 1973How does the song go?

This Week in Grateful Dead History: Week 46 – November 11, 1973

How does the song go?

One of the most unique aspects of the Grateful Dead experience is the existence and ready availability of thousands upon thousands of recordings of concerts, studio sessions and other archival material. The band’s willingness – whether intentional or accidental – to allow their fans to freely record and share what virtually any other band would protect as copyrighted music, was either the luckiest or the most brilliant marketing strategy in the history of modern music. What the Dead may have lost in revenue from the sale of live concert material was easily eclipsed by the increase in ticket sales resulting from turning their devotees into promotional agents, replete with product samples that were self-produced and widely disseminated.

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This Week in Grateful Dead History: Week 47 – November 22, 1985Going to leave this brokedown palace

This Week in Grateful Dead History: Week 47 – November 22, 1985

Going to leave this brokedown palace

The motifs of life and death are omnipresent in the poetry, the experience, and even the name of the Grateful Dead. It could easily be argued that the singularly honest way these themes are addressed across the Dead’s repertoire is the straw that stirs the multifaceted cocktail of Deadheads’ often enigmatic passion for their favorite band. Invariably presented in perfect yin/yang-like balance, the comedic and tragic duality of the human experience is at the forefront of tunes like Black Peter, Sugaree, To Lay Me Down, Brown Eyed Women, China Doll, and so many others. But perhaps the best example – and one that illustrates so well the troubled times we live in at the historic moment these words are being written – is the mixed metaphor of Brokedown Palace. T.W.I.G.D.H. features the 11/22/85 show from Henry J. Kaiser Convention Center, which opens with the equally life-death balanced Hell in a Bucket, and closes with Brokedown Palace, in its traditional spot at the end of the lineup.

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This Week in Grateful Dead History: Week 48 – November 24, 1979The Wonders of Nature

This Week in Grateful Dead History: Week 48 – November 24, 1979

The Wonders of Nature

There is one school of thought about the COVID-19 pandemic which suggests that we are all going to become infected with this virus at one point or another, and it seemed that my time had come. Ironically, it appeared that my buddy, Bill, and I had successfully dodged the Corona Bullet, as we were halfway through the final 800-mile drive back to Colorado, having played 34 games in six baseball tournaments in Arizona and Florida, spanning six weeks. Yes, we were about to slide into home plate, head first, with the winning run, our trusty mountain bikes safely secured behind my 4Runner, when my pick for T.W.I.G.D.H. (This Week in Grateful Dead History), the 11/24/79 Grateful Dead show from the Golden Hall Community Concourse in San Diego, was preempted with breaking news.

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Stew Sallo, A.K.A., The Deadhead Cyclist

Stew Sallo is the author of the book, The Deadhead Cyclist, and founder/owner of Boulder Weekly, an award-winning alternative weekly in its 30th year of publication in print and online at BoulderWeekly.com. After graduating from the University of California, Santa Cruz, he cut his teeth as a publisher in Santa Cruz for 10 years before relocating to Boulder to start the Boulder Weekly. He has been a Deadhead since the summer of 1974, attended his first Grateful Dead concert at Winterland in San Francisco on October 19, 1974, and has since been to some 200 Grateful Dead concerts. Stew is an avid mountain biker, plays competitive baseball on three teams in his home state of Colorado, and travels each year to play tournament baseball in California, Nevada, Arizona, North Carolina, South Dakota and Florida. In 2003, Stew founded the classic rock band, Hindsight. He plays a Martin D-41 in the band and sings lead and backup vocals. Stew lives in Boulder, CO with his wife of 23 years, Mari, and their 12-year-old dog, Bella.

All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo