Life lessons on two wheels to the tunes of the
Grateful Dead
This Week in Grateful Dead History
Week 1
I wish I was a headlight on a northbound train.
Even the most cursory examination of the lyrics of Grateful Dead songs quickly uncovers one of the most fundamental aspects of the band’s identity: This is an American band, rooted in American culture, and built around easily recognizable locales and deeply American principles and history.
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This Week in Grateful Dead History: Week 50 – December 7, 1971
We used to play for silver
The term, “Golden Age,” has been used liberally throughout history to describe certain idyllic periods of outstanding human achievement. Originating in Greek Mythology, particularly in the writings of Hesiod and Homer in the 7th and 8th centuries, B.C.E., this label has resurfaced numerous times when a specific art, skill or activity was considered to be at its peak.
This Week in Grateful Dead History: Week 9 - February 27, 1969
He Has To Die
Is there any more compelling storyline in the human experience than the knowledge of our imminent death and our unique ability to contemplate it? Think about it. What other factor in your life has had a more profound impact on your behavior and experiences? Drawing a blank, huh?
This Week in Grateful Dead History: Week 28 - July 8, 1978
Sometimes we live
When a band has played more than 2300 shows, it’s hard to imagine that any one of them would achieve legendary status. But there are certain Grateful Dead concerts that firmly fit into that category. For starters there’s little disagreement that 5/8/77 at Cornell University’s Barton Hall would be on such a list; the 12/31/78 Closing of Winterland comes to mind; 2/27/69 at the Fillmore West – from which the epic, Side 1-long Dark Star on the Live Dead album was derived – would have to be included; the Great American Music Hall show on 8/13/75 is an obvious choice; 5/26/72 at London’s Lyceum Theater, the final date of the Europe ’72 tour, has been immortalized on the album of the same name; and more recently, the 12/15/86 show at the Oakland Coliseum arena – the Dead’s first performance in more than 5 months after Jerry Garcia collapsed in a diabetic coma on July 10 of that year and almost died – easily deserves such distinction.
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