Reserve your copy of the latest addition to the library of baseball literature.
by Stew Sallo, author of “The Deadhead Cyclist.”
Life lessons on two wheels to the tunes of the
Grateful Dead
Robert Hall Weir, né Parber,
October 16, 1947 – January 10, 2026
Let the words be yours, I’m done with mine.
I first saw Bob Weir on October 19, 1974 with the Grateful Dead at Winterland Ballroom in San Francisco. I last saw Bob Weir on June 14, 2024 as a member of Dead & Company at The Sphere in Las Vegas. Over the course of almost 50 years, it was my privilege to see Bobby perform countless times as a member of the Grateful Dead, Kingfish, Ratdog, the Other Ones, The Dead, Furthur, Dead & Company, the Weir Robinson & Greene Acoustic Trio, and probably others that I have failed to remember.
Other Posts
This Week in Grateful Dead History: Week 23 - June 7, 1977
I will not forgive you
June 7, 1977 was my sixth Grateful Dead concert. But it wasn’t supposed to be. After touring through the East and Midwest, the band was scheduled to play three shows at their home venue, Winterland Ballroom in San Francisco, June 7, 8 and 9, to finish off their now-famous Spring ’77 tour. My newly fellow Deadhead sister, Janet, and I had already pocketed tickets for the June 9 show, but during the afternoon of June 7, as we were both working in a health food store in Santa Cruz, one thought began to preoccupy my brain: The Dead are playing tonight at Winterland. The Dead are playing…TONIGHT…just 90 minutes from here. After an hour or so, thought morphed into compulsion.
This Week in Grateful Dead History: Week 46 – November 11, 1973
How does the song go?
One of the most unique aspects of the Grateful Dead experience is the existence and ready availability of thousands upon thousands of recordings of concerts, studio sessions and other archival material. The band’s willingness – whether intentional or accidental – to allow their fans to freely record and share what virtually any other band would protect as copyrighted music, was either the luckiest or the most brilliant marketing strategy in the history of modern music. What the Dead may have lost in revenue from the sale of live concert material was easily eclipsed by the increase in ticket sales resulting from turning their devotees into promotional agents, replete with product samples that were self-produced and widely disseminated.
This Week in Grateful Dead History: Week 34 - August 21, 1983
Ain’t nobody messing with you but you.
When I began my studies at the University of California at Santa Cruz in ’75, the countercultural vibe of the ’60s was still alive and well. Having spent my junior high and high school years in Southern California, my primary exposure to the Grateful Dead was the well-known reference in the Cowsills’ 1969 song, Hair (“It’s not for lack of bread, like the Grateful Dead”). But once I arrived on the Central California coast (Santa Cruz is just 75 miles south of San Francisco) the Grateful Dead could be heard seeping out of the cracks of dorm rooms all over campus, and providing the ambiance for every cafe in town.
All Material Copyright 2020, 2021, 2022 and 2023 by Stewart Sallo